CREATIVE AUDIO • SOUND DESIGN • AUDIO ENGINEER

- Selected Works -

• Each project features a trailer or a sound design highlights reel •

Who I am

I’m Elijah Vincent, a freelance Audio Engineer & Sound Designer, recipient of the Rycote Sound Award 2022.

My diverse experience ranges from Video Games, Independent Feature films, Short Films, Documentaries to Animation Shorts, Immersive Podcasts and Art Exhibitions.

My passion for audio started whilst sound designing my early horror short films, where I became obsessed learning everything I could about sound, becoming resourceful and creative in crafting expressive soundscapes as I fell ever in love with the world of audio. Coupled with refining my sound design practice, I have spent years recording and editing VO/Dialogue so I can apply my technical expertise to the creative side of sound to provide clients with high-quality audio experiences.

Each project is its own creative adventure, where we get to explore how we can elevate your project with innovative audio solutions to bring your project to life.

Audio Engineer

Route and capture audio recordings, ensuring clarity and balance as I work to your needs & preferences to deliver only the highest quality

Sound Design

Collaborate closely with the Director to create highly realised soundscape that brings your narrative to life

Headphones icon by Icons8

Foley

Add depth and realism to your project. This attention to detail will create a more immersive audio backdrop to compliment the visuals

Dialogue Editing

Precise editing, taking care of unwanted background noise whilst retaining the emotional nuances of the performance

Mixing & Mastering

Balance & polish all the sonic elements, bringing the cinematic world to life through exceptional audio quality

And more…

Voice Directing to Composing, each project has its own needs and I’m excited to find bespoke solutions to fulfil your vision

- Testimonial -

  • Elijah is a committed, thoughtful and talented professional. He has a keen ear and always strives for the best in his work, as well as being a fun and friendly presence in the studio. It’s a joy to work with him!

    Tilly Steele - Voice & Movement Director: Baldur’s Gate 3

  • They breathed life into the sonic world of Choirboy, masterfully handling a complex interplay of voice, music, and atmosphere. He is extremely well informed, and produces inventive and meticulous soundwork, on top of being a joy to collaborate with. If only he wasn't in such high demand, I could work with him more often!

    Mercer MacWilliam Hughes - Director: Choirboy

  • Elijah is always first choice for me when it comes to sound designers for my documentaries. He has an extensive library of supplementary sounds and is intuitive in his selection, which means he is able to enhance the atmosphere and mood of a sequence. With Elijah, sound design is one of my favourite stages of the production process. I can always rely on him to deliver.

    Barnaby Omar - Director: Beguildy &Woobridge

  • He was a shining asset to my production. He was clear, friendly and communicative throughout the entire process, and despite the immense time pressure I had subjected him to, the quality of his work was very high. It would be a painless privilege to work with him again.

    Kiera Melville - Director: Plates on Oma’s Wall

  • Elijah is an incredibly smart and creative sound designer, who added to the film's vision in ways I couldn't have imagined with the inventive ideas he brought to the table. He is also very technically skilled and always an absolute pleasure to work with.

    Alexa Shaw - Director: Dead Girls Don’t Fear the Reaper

  • They are a versatile and very professional sound designer, who worked to push my film to a level of creativity and professionalism I wouldn't have reached without him.

    Jacob Parvin- Director: Our Gypsy Blood

  • Elijah is an incredible collaborator throughout. He keeps his focus on your vision and what you want to achieve, always excited to share and discuss his ideas of what he thinks will improve and enrich the project. Elijah is always open to experiment and push boundaries, so you know that whatever he is working on will be elevated to its fullest potential

    Justė Rutkauskaitė - Director: Fin.

Let’s make some noise

  • What do you get when you drop a piano down a mineshaft?

    ‘A-flat Miner’

  • What do you call a dog swimming at the bottom of a swimming pool?

    A ‘sub-woofer’

  • I get a little creeped out by hearing the Spatial Audio all around me...

    … I guess its just the ’Atomos-fear’

  • I tried making a living mixing audio files to the left & right...

    … it didn’t ‘pan out’

  • What does a Sound Recordist do during an explosion?

    ‘Boom’

  • Why is it painful to turn music up at the gym?

    No pain, no ‘gain’

  • My audio software keep's shutting down unexpectedly...

    … the ‘Audacity’

  • Why didn't the sound wave see the compressor coming?

    Because it had a ‘quick attack’

  • Why did the person use 'Cubase'?

    Because they had no ‘Reason’ or ‘Logic’

  • Why did the compressor fall over?

    Because it had a ‘soft knee’

  • Why did the EQ music festival only admit short people?

    The ‘7-bands’ had a ‘Low-Pass filter’

  • How do sound waves say 'hi' to one another?

    They ‘.wav’